Antique English Arts & Crafts Set of 12 Twelve Oak Edward Barnsley Cotswold Kitchen Dining Chairs (Circa 1935)

Summary:

• Item: 12 oak Arts & Crafts chairs
• Circa: 1935
• Period: George V
• Attributed to Edward Barnsley
• Style: Arts & Crafts
• Provenance: England, United Kingdom
• Style: Arts & Crafts / Cotswold
• Quantity: 12 side chairs
• Wood: Solid oak
• Horizontal “comb-back” top rail
• Scribe moulded rectangular frames
• Drop-in seats
• Newly upholstered
• Hopsack chenille weave material
• Oatmeal colour material
• Moulded block front legs
• Splayed rear legs
• Connecting “H” stretchers for strength
• Original polish & patination
• Clear waxed finish
• Solid in joint
• Free delivery to England, Wales & southern Scotland*
• Free 14-day UK returns policy

Description:

This is a fine quality antique English set of 12 oak Arts & Crafts chairs, attributed to the one of the most important cabinetmakers of the 20^th century, Edward Barnsley.  Ideal for use as a large set of kitchen or dining chairs, circa 1935, they have been newly upholstered and are in excellent condition.  The set comprises twelve side chairs.  The 12 oak Arts & Crafts chairs are designed with a horizontal “comb-back” top rail, secured by a bank of moulded bars, decorated with scribe moulding across the frames, constructed in solid oak. The chairs have been newly upholstered in top quality oatmeal colour hardwearing hopsack chenille weave upholstery.  The chair frames are constructed using the traditional joined peg construction method. The chairs stand on moulded block front legs, with sabre rear legs and the seat frame features a simple moulded front rail, secured by four stretchers, for additional strength.

Edward Barnsley first produced this design for the coronation of Edward VIII in 1936.  This style of chair was sometimes referred to as a “Cotswold” or “School” chair; the design of which was influenced by the Arts & Crafts movement.  Some of the chair seat rails bear crowned ‘A.M’ cyphers.

This set of 12 oak Arts & Crafts chairs boasts the original polish; therefore, they have a fantastic depth of colour and patination, displaying a lovely mellow colour.

If you do not like the colour/style of the upholstery, we can recover the seats in a fabric of your choice. If you would like the seats recovered, please contact us for a quote.

These twelve oak Cotswold dining chairs would look would look good anywhere, from a formal room or for everyday use. They would certainly grace any home or office and are a great investment, as they are extremely functional. So, don’t miss out on your chance to own a lovely piece of furniture.

Edward Barnsley – Biography:

Edward Barnsley (1900-1987) was one of the most important British furniture makers of the 20th Century.  He was born into a family of furniture makers. His father Sidney, uncle Ernest and their friend Ernest Gimson had been inspired by William Morris and embraced his radical ideas. In 1893 these three moved from London to the Cotswolds to put their beliefs into practice.  They built their own houses using local materials and traditional techniques. They established workshops and made furniture generally from solid planks of timber. They celebrated the construction methods by exposing the tenons and dovetails. The furniture was often decorated with simple chip carving. Today Gimson and the Barnsleys are seen as key figures in the Arts and Crafts Movement and their influence on design has been immense.

In 1910, having spent his early years in the Cotswolds, Edward went to Bedales, the progressive school near Petersfield in Hampshire. The school encouraged the learning of practical skills and valued craftwork. In 1920 Edward went back to Hampshire to train in Geoffrey Lupton’s workshop in Froxfield. As well as making furniture he worked with Lupton on the construction of the new library at Bedales, which had been designed by Gimson.

In 1923 Lupton stepped back from furniture making and Edward took over the workshop retaining most of the employees. He made furniture very much in the Cotswold style. He inherited clients from Lupton and then from his father, who died in 1926. Unlike his father, who worked alone, Edward always employed craftsmen and apprentices. Under his leadership the workshop made around seven thousand individually crafted pieces. The workshop survived the difficult times of the depression and the war years keeping alive the spirit of the Arts and Crafts Movement.

Edward gradually developed his own lighter style. He combined his father’s influence with the elegant curves and fine inlay lines seen in the work of English furniture makers of the 18th century. As well as using the oak and walnut favoured by the Arts and Crafts pioneers, he used exotic timbers such as rosewood and blackbean. Electricity finally arrived at the workshop in 1955 and by using machines, less time was spent on the more laborious tasks like planing and sawing the rough timber.

Edward had mixed feelings about increased mechanization because he felt that it was the craftsman’s handwork that gave each piece its individuality. Unlike some furniture designers he thought it was important to acknowledge the contribution of the skilled maker to the success of a piece of furniture. Edward engaged his first apprentice in 1924, Herbert Upton, who went on to become the workshop foreman. Alan Peters OBE (1933-2009) is perhaps the best known of the workshop’s former apprentices.

In 1945 Edward was awarded the CBE for services to design. Outside the workshop Edward was a visiting lecturer at Loughborough College and he was a key figure in the formation of the Crafts Council.

In 1980 a trust was set up secure the future of the workshop and to preserve the unique opportunity of a Barnsley Workshop training. It was through the work of the Edward Barnsley Educational Trust, and particularly the enormous contribution of Edward’s widow Tania, son Jon and daughter Karin, that the workshop has managed to establish a degree of financial security. Today the workshop continues to produce furniture to the high standards of design and workmanship established by Edward.

Source: https://www.barnsley-furniture.co.uk/about/our-heritage/

Condition Report:

This is a fine quality antique English set of 12 oak Arts & Crafts chairs, attributed to the one of the most important cabinetmakers of the 20^th century, Edward Barnsley.  Ideal for use as a large set of kitchen or dining chairs, circa 1935, they have been newly upholstered and are in excellent condition.  The chair frames have been glued, cleaned and wax-polished (with a clear wax) to a professional standard, therefore they boast a lovely colour and patination.  Nominal old use marks to the leading edges of the chair frames but nothing significant considering the age of the chairs.  The drop-in seats have been newly upholstered in hardwearing patterned silk damask upholstery. The upholstery is therefore clean, free from wear and marks. If you do not like the colour/style of the upholstery, we can recover the seats in a fabric of your choice. If you would like the seats recovered, please contact us for a quote. The chair frames and joints are all in excellent condition, solid in joint with no breaks; the chairs are ready to be used.

Dimensions 

Height = 87.5cm / 34½” / 2ft 10½”
Width = 50cm / 19¾”/ 1ft 7¾”
Depth = 48.5cm / 19⅛”/ 1ft 7⅛”
Seat Height (Centre) = 48cm / 18⅞” / 1ft 6⅞”
Seat Width = 47cm / 18½”/ 1ft 6½”
Seat Depth = 38cm / 15”/ 1ft 3”
Back Height = 44cm / 17¼” / 1ft 5¼”

Terms & Conditions:

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Ref. 81232